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Pepper’s Lonely Hearts Club Band” and the single “Strawberry Fields Forever/Penny Lane”. The Beatles had reached the zenith of their creative output the year before with “Sgt.

Their meaning was in a way secondary, so talking about a Beatles song from the point of view of the lyrics is always to be on the wrong path. The music was the thing and the lyrics were sounds that were part of the music. I was extremely fortunate to grow up with The Beatles, a little young to get the full meaning of what the lyrics meant, but able to understand what the music meant and herein lies an important aspect of the Beatles’ work. A world opened up that was very different from the world I knew and I wanted to be in that different world. As an eight-year-old I obviously didn’t conceptualise the experience in quite the same way, but it was nevertheless, with hindsight, a consciousness-changing experience. It resonated with my own experience as an 8-year-old boy sitting in the kitchen of my parents’ house, my mother doing the washing up, and hearing “Please, Please Me” for the first time. This anecdote moved me deeply as I focused on the road ahead. As the music filled his consciousness he thought, “This is the Truth and everything else is a Lie”. He had never heard a Beatles record before, The Beatles being effectively banned in the Soviet Union at that time. In the warm quietness, somebody played a Beatles record on a portable turntable. It was a hot summer’s day and there were many groups of people sitting on the grass near the Moscow River. Then he told the story of a Russian friend of his who was sitting with his friends in a park in Moscow in 1970. The track ended and he back announced it, talking about music in the late 60’s. Max Reinhardt was playing a track by Fairport Convention. But first I would like to preface this preface with an anecdote that illustrates an aspect of the Beatles that is largely forgotten these days and seems perhaps incomprehensible in a world where music has become so marginalised.Ī few years ago, I was driving back from a studio session in London around midnight listening to “Late Junction” on Radio 3.

This essay on “Hey Jude” prefaces a series of memories, dreams and reflections on the 50th anniversary of the release of the White Album, also known as “The Beatles”.

Hey jude applied chords piano in f major